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Come, Ye Children of the Lord
arr. David A. Zabriskie; Aaron Flood

Come, Ye Children of the Lord

A wonderful arrangement of the hymn, “Come Ye Children of the Lord” for SATB choir with Organ Accompaniment. This is very accessible to choirs.

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Duration: Approx. 2:15

Price: $1.95
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Come, Ye Thankful People (Hymn Enhancer – Zabriskie)
arr. David A. Zabriskie

Come, Ye Thankful People (Hymn Enhancer – Zabriskie)

This arrangement of “Come, Ye Thankful People” is a “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Coventry Carol (Piano Solo – Tonioli)
arr. Jason Tonioli

Coventry Carol (Piano Solo – Tonioli)

Coventry Carol – arr. Jason Tonioli

The “Coventry Carol” is a Christmas carol dating back to the 16th century. The carol was performed in the city of Coventry, England as part of a mystery play called “The Pageant of the Shearmen and Tailors.” The play depicted the Christmas story from chapter two in the Gospel of Matthew. This carol refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed. The lyrics of this haunting carol represent a mother’s lament for her doomed child. This is the only carol that has survived from this play.

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Dance with a Ghost
Daniel Carter

Dance with a Ghost

Dance with a Ghost – Daniel Carter, composer

Dance with a Ghost is a new age/classical piano solo by Daniel Carter that encourages and develops manual dexterity and is great fun to play. Bright and cheerful, but in a minor key! Intermediate to advanced difficulty level.

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Duration: Approx. 1:05

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Deck the Halls (Piano Solo – Tonioli)
arr. Jason Tonioli

Deck the Halls (Piano Solo – Tonioli)

Deck the Halls – arr. Jason Tonioli

“Deck the Halls” is a traditional Yuletide and New Years’ carol. The tune is Welsh, dating back to the sixteenth century, and belongs to a winter carol titled “Nos Galan”. In the eighteenth century, Mozart used the tune for a violin and piano duet. My first introduction to this song came as a kid when I saw the movie “A Christmas Story” and the Chinese Restaurant food servers entertained their guests by singing an out of tune “Fa Ra Ra Ra Ra” to the family in the movie.

I remember thinking this was the funniest thing I had ever heard as a kid.

When I started this arrangement, I wanted to come up with something that was fun and showy to play. I ended up combining the rhythm from my arrangement of Called to Serve. It seemed to fit welll, and this is now one of my favorite pieces to perform during the holidays. Have fun with it, and don’t hesitate to add a few extra notes or jazz it up even more when you play it!

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Destiny
Daniel Carter

Destiny

Destiny – Daniel Carter, composer

Destiny is a reflective new age piano solo by Daniel Carter that invites the listener to imagine their heart’s desire of chosen destinies, and to go, and to be, and to do what one’s heart tells them. Intermediate difficulty level.

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Duration: Approx. 3:10

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Ding Dong Merrily / Angels We Have Heard On High
arr. Anthony T. Buck

Ding Dong Merrily / Angels We Have Heard On High

Ding Dong Merrily/Angels we Have Heard on High – SATB acapella mash up of two favorite Christmas songs. This piece can be a real challenge with lots of moving lines, but it is an upbeat, lively arrangement appropriate for church settings.

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Duration: Approx. 1:40

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Elisabeth’s Waltz
Daniel Carter

Elisabeth’s Waltz

Elisabeth’s Waltz – Daniel Carter, composer

The often requested, hauntingly beautiful music box-like melody that Daniel Carter wrote for his daughter, Elisabeth, for her fifth birthday is now available as a single piano solo. Watch the youtube video and listen to the piece and feel the enchantment of watching this five-year-old girl grow to womanhood. Suitable for weddings, Mother’s Day and many other occasions, this piece is an intimate, nostalgic musical reflection from past to present.

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Duration: Approx. 2:00

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Every Time I Feel the Spirit
David A. Zabriskie

Every Time I Feel the Spirit

Every Time I Feel the Spirit – David A. Zabriskie, composer

The text for this plaintive song setting is from an African American Spiritual “Every Time I Feel the Spirit.” The music is composed by David A. Zabriskie.

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Duration: 2:11

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Far, Far Away on Judea’s Plains (Piano Solo – Tonioli)
arr. Jason Tonioli

Far, Far Away on Judea’s Plains (Piano Solo – Tonioli)

Far, Far Away on Judea’s Plains – arr. Jason Tonioli

This is a lesser known Christmas tune written by a Scottish pioneer who came to Southern Utah in the early 1850’s. It’s a fun tune to sing, but for some reason you rarely hear it played outside of a church meeting during the holiday season.

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Father in Heaven
arr. Randall Kempton

Father in Heaven

Father in Heaven, written for moderately skilled Men’s Chorus (TTBB) and organ, begins prayerfully and builds to a powerful plea to the Lord to “strengthen every nation in thy peace, where only is salvation”.

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Duration: Approx. 4:15

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Festive Prelude on Forest Green
arr. Daniel Carter; Kathleen Holyoak

Festive Prelude on Forest Green

Festive Prelude on Forest Green – Daniel Carter, arranger; adapted for Organ by Kathleen Holyoak

Daniel Carter’s refreshing arrangement along with Kathleen Holyoak’s adaptation for organ is a majestic interpretation of a famous English tune, “Forest Green”. This is an excellent choice for use as a festive organ solo or jubilant postlude.

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Duration: Approx. 2:50

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First Noel / Jesus Once of Humble Birth (SAB version)
arr. David A. Zabriskie

First Noel / Jesus Once of Humble Birth (SAB version)

A beautiful and moving arrangement that combines both traditional carol “The First Noel” and the hymn “Jesus Once of Humble Birth”. One of David A. Zabriskie’s best selling arrangements for Christmas. Arranged for SAB Choral.

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First Noel / Jesus Once of Humble Birth (SATB – Zabriskie)
arr. David A. Zabriskie

First Noel / Jesus Once of Humble Birth (SATB – Zabriskie)

First Noel / Jesus Once of Humble Birth

A beautiful and moving arrangement that combines both traditional carol “The First Noel” and the hymn “Jesus Once of Humble Birth”. One of David A. Zabriskie’s best selling arrangements for Christmas.

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Flowers in Heaven
Kathleen Holyoak

Flowers in Heaven

Flowers in Heaven, a charming little song written specifically for Mother’s Day or for general purpose as a solo or duet, tenderly expresses a very sweet message: “There are gardens up in heaven that are planted with our seeds. They grow in hills and valleys that are free of thorns and weeds. Every little act of kindness, happy thoughts and cheerful deeds, will blossom in the gardens if we send the Lord the seeds. We can plant flowers in heaven; seeds that grow in colors of the rainbow. We can plant flowers in heaven by the love we show.”

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Duration: Approx. 3:00

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For the Beauty of the Earth (Vocal Solo – Sowa)
arr. Joseph Sowa

For the Beauty of the Earth (Vocal Solo – Sowa)

“For the Beauty of the Earth”: Suitable for both church and concert settings, Joseph Sowa’s arrangement of “For the Beauty of the Earth” embroiders the classic hymn of gratitude with a lyrical cello solo and a lush piano accompaniment. It was recorded by soprano Charity Tillemann-Dick on her album Billboard® “Traditional Classical” chart-topping American Grace.

If you are interested in performing this piece with a women’s ensemble, there is a choral discount for 10 or more copies.

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Duration: Approx. 3:06

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For the Strength of the Hills
arr. David A. Zabriskie

For the Strength of the Hills

For the Strength of the Hills – David A. Zabriskie, arranger

For the Strength of the Hills is the first piece in the set of three. The complete hymn arrangement set is: “For the Strength of the Hills”, “More Holiness Give Me” and “Redeemer of Israel.” These are difficult piano arrangements for advance pianists.

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Duration: Approx. 3:20

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Four Canticles for the Christmas Season
J. Chris Moore

Four Canticles for the Christmas Season

“Four Canticles for the Christmas Season” is a collaboration between HolySheetMusic and Lorenz Publishing. We are delighted to present to you this wonderful Christmas Piece!

About the Piece:

Bobette Olson, while a senior at Fairborn Baker High School in Fairborn, Ohio, wrote the lovely text which she asked me to set to music. While an undergraduate voice and choral education major at CCM (University of Cincinnati College-Conservatory of Music) I set about working the thematic ideas for the text. At the time, I was singing tenor as part of the CCM Chamber Singers under the direction of Elmer Thomas, a protege of Robert Shaw. The style is clearly influenced by the acappella work that we were doing at CCM at that time, along with some recording that I did with the Whikehart Chorale, under the direction of Lewis Whikehart. This setting by the St. Martin’s Chamber Choir ideally captures most of the nuance of each piece as originally conceived.

The Recording:

“Four Canticles for the Christmas Season” was recorded December 22, 2007 for Christmas with St. Martin’s Chamber Choir at St. Elizabeth’s Church in Denver, Colorado; Timothy J. Krueger, Artistic Director, Ace Edwards, conductor for this particular concert piece.

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Duration: Approx. 8:00

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God Be with You Till We Meet Again (SATB – Carter)
arr. Daniel Carter

God Be with You Till We Meet Again (SATB – Carter)

God Be with You Till We Meet Again – Daniel Carter, arranger

Arranged for full choir with piano accompaniment, with optional vocal solo sections for female and male vocalists, Daniel Carter has created a touching arrangement of this beloved Christian farewell. A soaring final “Till we meet at Jesus’ feet” concludes gently and tenderly with with the warm embrace of “God be with you till meet again.”

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Duration: Approx. 4:25

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God Be with You Till We Meet Again (Violin Solo – Parkinson)
arr. Kelly Clark Parkinson

God Be with You Till We Meet Again (Violin Solo – Parkinson)

Kelly Clark-Parkinson has chosen a number of traditional and religious tunes, and she works the material from the inside, never overshadowing the melodies but instead seeking their highest, purest form. Ms. Clark-Parkinson is a tremendous instrumentalist. Here, she serves the material, letting the beauty of the melodies she has chosen take the forefront, rather than spoiling the mood with unnecessary pyrotechnics and flourishes (of which she would certainly be more than capable.) The arrangements aren’t simple or dumbed-down, they are just right.

This is track 10 from Kelly Clark Parkinson’s album: “How Sweet the Sound”

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God Be with You Till We Meet Again (Vocal Solo – Carter)
arr. Daniel Carter

God Be with You Till We Meet Again (Vocal Solo – Carter)

God Be with You Till We Meet Again – Daniel Carter, arranger

Arranged for solo voice and piano, Daniel Carter has created a touching arrangement of this beloved Christian farewell. A soaring final “Till we meet at Jesus’ feet” concludes gently and tenderly with with the warm embrace of “God be with you till meet again.”

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Duration: Approx. 4:10

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God Moves in a Mysterious Way (SATB – Zabriskie)
David A. Zabriskie

God Moves in a Mysterious Way (SATB – Zabriskie)

A beautiful setting of a poignant hymn – God Moves in a Mysterious Way – for SATB Choir. Music composed by David A. Zabriskie. A vocal solo version is also available.

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Duration: Approx. 4:05

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God Moves in a Mysterious Way (Vocal Solo – Zabriskie)
David A. Zabriskie

God Moves in a Mysterious Way (Vocal Solo – Zabriskie)

God Moves in a Mysterious Way (Vocal Solo) – David A. Zabriskie, composer

A beautiful setting of a poignant hymn – God Moves in a Mysterious Way – for solo voice. Music composed by David A. Zabriskie

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Duration: 3:51

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God of Our Fathers, Whose Almighty Hand
arr. Michael D. Huff

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God of Our Fathers, Whose Almighty Hand

A wonderfully, emotionally stirring arrangement of the traditional hymn “God of Our Fathers, Whose Almighty Hand” for TTBB arranged by composer Michael D. Huff.

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Duration: Approx. 3:20

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God So Loved the World (Stainer)
arr. David A. Zabriskie

God So Loved the World (Stainer)

“God So Loved the World” is a well-known SATB (a cappella) choral setting by John Stainer. I love the piece; however, I found it challenging for some choirs to sing a cappella. I created this version/arrangement of Stainer’s glorious piece. It is accessible and beautiful.

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Duration: Approx. 4:10

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Going Home
arr. Ryan Tilby

Going Home

“Going Home”, based on Largo from Dvorak’s “From the New World”, is a tender arrangement of one of the most beautiful melodies ever penned. The guitar seamlessly incorporates the melody into the complex chord progression, yet stays very musical and playable. In the key of A, for solo guitar.

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Duration: Approx. 3:50

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Going Home (Violin Duet – Zabriskie)
arr. David A. Zabriskie

Going Home (Violin Duet – Zabriskie)

Going Home – Violin Duet; David A. Zabriskie, arranger

A traditional spiritual beautifully arranged by David A. Zabriskie that reminds us of the sometimes–painful growth associated with mortality, as well as the sweet peace and love we can experience at home. Performed by Alexander and Aubrey Woods. This track was recorded for the Woods’ “All Is Well” album.

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Duration: Approx. 4:50

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Good Christians Friends Rejoice / O Come Let Us Adore Him
arr. David A. Zabriskie

Good Christians Friends Rejoice / O Come Let Us Adore Him

Good Christians Friends Rejoice / O Come Let Us Adore Him – David A. Zabriskie, arranger

A joyous and “fun” arrangement of the two traditional Christmas Carols, “Good Christians All Rejoice” and “O Come Let Us Adore Him” arranged by David A. Zabriskie. This piece is for SATB Choir and piano accompaniment.

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Duration: Approx. 2:15

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Gratitude
Nathan Howe

Gratitude

This modern a cappella choral hymn is perfect for Thanksgiving. The original text expresses appreciation for the earth, family relationships, the restored gospel, overcoming trials, and ultimately the Savior – “the giver of them all.”

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Duration: Approx. 5:15

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Hark All Ye Nations (Holyoak – SATB with Organ or Piano Accompaniment)
arr. Kathleen Holyoak

Hark All Ye Nations (Holyoak – SATB with Organ or Piano Accompaniment)

Hark All Ye Nations, arr. Holyoak, Kathleen

This joyous hymn arrangement with organ accompaniment is a great choice for Stake Conference or for a Sacrament meeting reflecting upon Missionary Work, the Restoration, or the Priesthood. The words express the rejoicing of Angels as they announce that truth is restored on the earth once more. The download includes an organ and a piano accompaniment.

Hark, all ye nations!

Hear heaven’s voice

Thru ev’ry land that all may rejoice!

Angels of glory shout the refrain:

Truth is restored again!

Chorus:

Oh, how glorious from the throne above

Shines the gospel light of truth and love!

Bright as the sun, this heavenly ray

Lights ev’ry land today.

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Duration: Approx: 3:00

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Hark! The Herald Angels Sing (LOW Solo Voice and Choir – Zabriskie)
arr. David A. Zabriskie

Hark! The Herald Angels Sing (LOW Solo Voice and Choir – Zabriskie)

This arrangement of the popular Christmas carol, “Hark! The Herald Angels Sing” was written for singer/performer Hillary Weeks by composer David A. Zabriskie. It is from her album “Christmas Time”. It is arranged for LOW voice. The arrangement if for Solo Voice (low) and choir.

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Duration: Approx. 2:50

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Have I Done Any Good?
arr. David A. Zabriskie

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Have I Done Any Good?

Made popular by the Mormon Tabernacle Choir, this is one of the most performed and purchased arrangements by David A. Zabriskie. The performance you will hear is by the Brigham Young University Combined Choirs.

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Duration: Approx. 4:45

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He Is Risen! (SATB – Zabriskie)
arr. David A. Zabriskie

He Is Risen! (SATB – Zabriskie)

Most of the time “He is Risen” is performed as an upbeat, jubilant song. This arrangement is performed with a reverent, retrospect feel bring to life the “awe” of the Resurrection. This is a simple SATB arrangement for the Easter season.

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Duration: Approx. 2:45

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His Love Will Lead You Home
Tyler Castleton and Wayne Burton

His Love Will Lead You Home

His Love Will Lead You Home (solo) written for the EFY 2017 album. Words and Music by Tyler Castleton and Wayne Burton.

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Duration: Approx. 4:30

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His Work and His Glory
Daniel Carter

His Work and His Glory

His Work and His Glory – Daniel Carter, composer

Daniel Carter sets a beloved passage of scripture to music in a memorable, singable setting for choir and piano that is enjoyable to learn and perform. “This is His work and His glory, to bring to pass the immortality and eternal life of man. Men are that they might have joy, but there must needs be opposition in all things, else we could not know joy from sorrow.”

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Duration: Approx. 2:40

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Hope
Ryan Tilby

Hope

An original song by Ryan Tilby, this song is a perfect blend of reverence and optimism. Employing a unique open tuning, players will venture into new voicings on the guitar. Intricate patterns and beautiful harmonics expand the scope of this song into something truly beautiful. For solo guitar.

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Duration: Approx. 5:10

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Hope of Israel (Hymn Enhancer – Zabriskie)
arr. David A. Zabriskie

Hope of Israel (Hymn Enhancer – Zabriskie)

This arrangement of “Hope of Israel” is an “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Duration: Approx. 2:30

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How Beautiful Thy Temples, Lord
Arr. David A. Zabriskie

How Beautiful Thy Temples, Lord

How Beautiful Thy Temples, Lord – David Zabriskie, arranger

How Beautiful Thy Temples, Lord , arranged by composer, David Zabriskie for SATB voicing. A beautiful and easy arrangement of this beautiful hymn for SATB. The arrangement includes unison singing for men, women, all voices and one verse of SATB parts.

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Duration: ca 3:30

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How Can I Keep from Singing (SATB – Carter)
arr. Daniel Carter

How Can I Keep from Singing (SATB – Carter)

How Can I Keep from Singing (SATB) – Dan Carter, arranger

A gentle, building, inspiring setting of Robert Lowry’s beloved hymn, arranged by Daniel Carter. Flute obbligato creates a mood of birds singing with the choir. Gently building to an inspiring ending with a simple descant on the last verse.

My life flows on in endless song;
Above earth’s lamentation,
I hear the sweet, tho’ far-off hymn
That hails a new creation;
Thro’ all the tumult and the strife
I hear the music ringing;
It finds an echo in my soul—
How can I keep from singing?

What tho’ my joys and comforts die?
The Lord my Saviour liveth;
What tho’ the darkness gather round?
Songs in the night he giveth.
No storm can shake my inmost calm
While to that refuge clinging;
Since Christ is Lord of heaven and earth,
How can I keep from singing?

I lift my eyes; the cloud grows thin;
I see the blue above it;
And day by day this pathway smooths,
Since first I learned to love it,
The peace of Christ makes fresh my heart,
A fountain ever springing;
All things are mine since I am his—
How can I keep from singing?

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Duration: Approx. 2:30

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How Can I Keep from Singing (Vocal Solo – Carter)
arr. Daniel Carter

How Can I Keep from Singing (Vocal Solo – Carter)

How Can I Keep from Singing (Vocal Solo) – Dan Carter, arranger

A gentle, building, inspiring setting of Robert Lowry’s beloved hymn, arranged by Daniel Carter. Flute obbligato creates a mood of birds singing with the soloist. Gently building to an inspiring ending with a simple descant on the last verse.

My life flows on in endless song;
Above earth’s lamentation,
I hear the sweet, tho’ far-off hymn
That hails a new creation;
Thro’ all the tumult and the strife
I hear the music ringing;
It finds an echo in my soul—
How can I keep from singing?

What tho’ my joys and comforts die?
The Lord my Saviour liveth;
What tho’ the darkness gather round?
Songs in the night he giveth.
No storm can shake my inmost calm
While to that refuge clinging;
Since Christ is Lord of heaven and earth,
How can I keep from singing?

I lift my eyes; the cloud grows thin;
I see the blue above it;
And day by day this pathway smooths,
Since first I learned to love it,
The peace of Christ makes fresh my heart,
A fountain ever springing;
All things are mine since I am his—
How can I keep from singing?

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How Great Thou Art (Vocal Duet – Zabriskie)
arr. David A. Zabriskie

How Great Thou Art (Vocal Duet – Zabriskie)

How Great Thou Art – David A. Zabriskie, arranger

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How Long O Lord
arr. Kelly Clark Parkinson

How Long O Lord

Kelly Clark-Parkinson has chosen a number of traditional and religious tunes, and she works the material from the inside, never overshadowing the melodies but instead seeking their highest, purest form. Ms. Clark-Parkinson is a tremendous instrumentalist. Here, she serves the material, letting the beauty of the melodies she has chosen take the forefront, rather than spoiling the mood with unnecessary pyrotechnics and flourishes (of which she would certainly be more than capable.) The arrangements aren’t simple or dumbed-down, they are just right.

This is track 02 from Kelly Clark Parkinson’s album: “How Sweet the Sound”

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How Sweet the Sound – Complete PDF Book
arr. Kelly Clark Parkinson

How Sweet the Sound – Complete PDF Book

Violinists are often pressed into service with short notice, without the benefit of accompaniment. Sensing a need to share my music in such settings, I arranged Amazing Grace for solo violin. That was the beginning of this project. I have since arranged several familiar sacred pieces which I feel will resonate with a variety of listeners.

TRACK LISTING:

01. Amazing Grace 02. How Long O Lord 03. Come Thou Fount / If You Could Hie to Kolob 04. Love at Home 05. O My Father / A Poor Wayfaring Man of Grief 06. Abide with Me Tis’ Eventide 07. America the Beautiful 08. Lead Kindly Light 09. Silent Night 10. God Be with You 11. Come, Come Ye Saints

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How Wondrous and Great
arr. David A. Zabriskie

How Wondrous and Great

This arrangement of “How Wondrous and Great” is an “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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I Have Longed for Thy Saving Health
arr. David A. Zabriskie

I Have Longed for Thy Saving Health

There are rare moments when a piece of music speaks deeply to the heart, to the point you’re speechless. “I Have Longed for Thy Saving Health” by Renaissance composer, William Byrd was one of those pieces. The setting was a church choir with classical accompaniment. The performance was spine-tingling. This is a very accessible piece for SATB choir. It may be sung with or without accompaniment. The youtube performance is by The University of Mississippi Concert Singers.

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I Have Work Enough to Do
arr. David A. Zabriskie

I Have Work Enough to Do

This hymn, also known as Ere the Sun Goes Down, is arranged by David A. Zabriskie. It is simple and tender. The arrangement is for SATB choir.

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I Heard the Voice of Jesus Say
arr. Ronald J. Staheli

I Heard the Voice of Jesus Say

A beautiful arrangement of “I Heard the Voice of Jesus Say” for SSAATTBB Choir. Though the parts split, it is easy and beautiful to sing.

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I Know My Father Lives (Guitar Solo – Tilby)
arr. Ryan Tilby

I Know My Father Lives (Guitar Solo – Tilby)

I Know My Father Lives

Arranged in a way that sounds more like two guitars than one, Ryan Tilby’s arrangement of this hymn is reverent and rich, and accessible to guitarists of every level. The song repeats with a variation of the chords that are unique and emotive, all while keeping the familiar melody as the primary focus of this worshipful piece.

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I Know that My Redeemer Lives (SSAATTBB – Staheli)
arr. Ronald Staheli

I Know that My Redeemer Lives (SSAATTBB – Staheli)

I Know that My Redeemer Lives (SSAATTBB) – Ronald Staheli, arranger

This is a beautiful arrangement of “I Know that My Redeemer Lives” by Ronald Staheli. It is arranged for SSAATTBB Choir.

The recording you can hear at HolySheetMusic is of the TTBB arrangement. Soon we’ll have the SSAATTBB recording up online.

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I Know that My Redeemer Lives (TTBB – Staheli)
arr. Ronald Staheli

I Know that My Redeemer Lives (TTBB – Staheli)

I Know that My Redeemer Lives (TTBB) – Ronald Staheli, arranger

This is a beautiful arrangement of “I Know that My Redeemer Lives” by Ronald Staheli. It is arranged for TTBB Choir.

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I Know that My Redeemer Lives (Vocal Solo [High] – Zabriskie)
arr. David A. Zabriskie

I Know that My Redeemer Lives (Vocal Solo [High] – Zabriskie)

This arrangement for solo voice was written for vocalist, Dallyn Vail Baylis, for his album “Song of Redeeming Love.” The accompaniment is for an advanced player. For the artistic vocalist, this will be an extremely rewarding song to sing. The recording you will here is Dallyn Baylis. Please check out his album on iTunes. The orchestral score and parts are available upon request.

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I Know that My Redeemer Lives (Vocal Solo [Medium] – Zabriskie)
arr. David A. Zabriskie

I Know that My Redeemer Lives (Vocal Solo [Medium] – Zabriskie)

I Know that My Redeemer Lives – David A. Zabriskie, arranger

This arrangement for solo voice was written for vocalist, Dallyn Vail Baylis, for his album “Song of Redeeming Love.” The accompaniment is for an advanced player. For the artistic vocalist, this will be an extremely rewarding song to sing. The recording you will here is Dallyn Baylis. Please check out his album on iTunes. The orchestral score and parts are available upon request.

(The recording here is in the original key of G – the high version)

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I Need Thee Every Hour (Piano Solo – Ward)
arr. Kay Hicks Ward

I Need Thee Every Hour (Piano Solo – Ward)

I Need Thee Every Hour – Kay Hicks Ward, arranger

“I Need Thee Every Hour”: The yearning “…I need thee, oh, I need thee…” is beautifully matched with the melodic contour of the concluding nine measures. The entire hymn overflows with pleading emotion giving ample opportunity for an expressive arrangement for the keyboard. I found this to be challenging to bring forth my need for Him every hour.

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I Need Thee Every Hour (SATB – Staheli)
arr. Ronald J. Staheli

I Need Thee Every Hour (SATB – Staheli)

I Need Thee Every Hour – Ronald Staheli, arranger

Ronald Staheli’s arrangement of “I Need Thee Every Hour” for SATB choir is absolutely beautiful. This arrangement is part of the BYU Singers Hymn Project.

“For nearly three decades Ron Staheli has led the BYU Singers to be one of the most highly acclaimed choral ensembles in the nation.
This new hymn project by the alumni of the BYU Singers continues in the same tradition of excellence, beauty and spirituality.”
— Craig Jessop

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I Need Thee Every Hour (Vocal Solo – Boothe)
arr. Ross Boothe and Michelle Boothe

I Need Thee Every Hour (Vocal Solo – Boothe)

A beautiful solo arrangement of “I Need Thee Every Hour” for male voice by Ross and Michelle Boothe. Also available for Female Solo.

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I Need Thee Every Hour (Vocal Solo – Carter/West)
Arr. Daniel Carter and Aaron West

I Need Thee Every Hour (Vocal Solo – Carter/West)

I Need Thee Every Hour – Daniel Carter, composer

When Aaron West asked Daniel Carter to accompany him singing the familiar hymn, “I Need Thee Every Hour,” Daniel decided to create an entirely new accompaniment to match the expressive way that Aaron sang it. The arrangement was an instant success after performing it, and is now offered exclusively through HolySheetMusic.com

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I Often Go Walking (SSAA)
arr. David A. Zabriskie

I Often Go Walking (SSAA)

This arrangement of the popular children’s song, “I Often Go Walking” is for SSAA – either quartet or choir. Simply beautiful, it will become a favorite to sing at Mother’s Day.

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I Stand All Amazed (C Instrument Solo – Carter)
arr. Daniel Carter

I Stand All Amazed (C Instrument Solo – Carter)

I Stand All Amazed – Daniel Carter, arranger

“Oh, it is wonderful that he should care for me Enough to die for me!” The words and music of Charles H. Gabriel’s beloved hymn are set in an eloquent but simple arrangement for solo instrumentalist with piano accompaniment. Any C instrument can solo on this arrangement. All the soloist will need to do is to mark in their own phrase marks, slurs, bowings or breath marks. The instrument part is included with the piano/instrument score.

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I Stand All Amazed (Flute Solo / Holyoak)
arr. Kathleen Holyoak

I Stand All Amazed (Flute Solo / Holyoak)

I Stand All Amazed arranged by Kathleen Holyoak, is a lovely flute solo with piano accompaniment. The tune, appropriately suited for any worship service, became one of the most beloved hymn tunes after publication in the Deseret Sunday School Songs in 1909. This arrangement begins with the soft, familiar melody and builds gradually with each verse. Enhanced by dynamics, triplets, and trills in the higher register, I Stand All Amazed continues to build to a wonderful conclusion — then as lovely as it starts, pulls back to a soft, flowing ending.

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I Stand All Amazed (Guitar Solo – Tilby)
arr. Ryan Tilby

I Stand All Amazed (Guitar Solo – Tilby)

I Stand All Amazed

A favorite of Ryan Tilby’s guitar hymns, this arrangement evokes the solemnity and gratitude that the hymn is known for. Guitarists will find this arrangement slightly more complex, using up-the-neck chord shapes to weave the melody into a progression that is both familiar and refreshing.

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I Stand All Amazed (SATB – John Leavitt)
arr. John C. Leavitt

I Stand All Amazed (SATB – John Leavitt)

This arrangement of “I Stand All Amazed” was written to highlight two different perspectives on the Atonement of Jesus Christ: the grandeur and triumph of his conquering of death, and also the personal intimacy that this sacrifice is in each individual heart. The music is at times declamatory and magnificent, and at other times tender and profound. It is a simple, but poignant arrangement that should be fairly easy to learn, leaving much more time, hopefully, for bringing musicality and polished sentiment to the performance.

The recording is sung by the Lux Singers, an elite religious choral ensemble under the direction of Leland Spindler. Based out of St. Mary’s Episcopal Church in Provo, Utah, their mission is to sing great works from masters of all religious denominations and sects; to sing for the congregates of all religious faiths, in their places of worship. They strive to share the light of each religion’s musical traditions with the world.

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I Stand All Amazed (SATB – Zabriskie)
arr. David A. Zabriskie

I Stand All Amazed (SATB – Zabriskie)

“Oh it is wonderful….wonderful to me” This unforgettable phrase is brought to life in David Zabriskie’s arrangement of “I Stand All Amazed” for SATB Choir.

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I Stand All Amazed (TTBB – Zabriskie)
arr. David A. Zabriskie

I Stand All Amazed (TTBB – Zabriskie)

I Stand All Amazed (TTBB) – David A. Zabriskie, arranger

“Oh it is wonderful….wonderful to me” This unforgettable phrase is brought to life in David Zabriskie’s arrangement of “I Stand All Amazed” for TTBB Choir.

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I Wonder as I Wander (Piano Solo – Tonioli)
arr. Jason Tonioli

I Wonder as I Wander (Piano Solo – Tonioli)

I Wonder as I Wander – arr. Jason Tonioli

This is a Christmas carol written by John Jacob Niles. The carol has its origins in a song fragment collected in 1933 at a fundraising meeting held by evangelicals who had been ordered out of town by the police. In the unpublished autobiography, Niles wrote:

“A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins…. But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.”

Based on this girl’s song, Niles wrote this well known tune.

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I’ll Go Where You Want Me to Go (SATB – Kempton)
arr. Randall Kempton

I’ll Go Where You Want Me to Go (SATB – Kempton)

“It May Not Be on a Mountain Height”, also known as “I’ll Go Where You Want Me to Go” is a beautiful text of commitment to a life of discipleship, to a new calling, missionary service, etc.: I’ll go, and say, and do and be what You want me to be. The organ in this arrangement is intended to evoke a sense of travel, perhaps on the ocean. It can be performed by a single capable organist, three-handed organ, by organ and solo instrument, or by piano, cello, and solo instrument. The Sacred SATB Sheet music is also available for TTBB.

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I’ll Go Where You Want Me to Go (TTBB – Kempton)
arr. Randall Kempton

I’ll Go Where You Want Me to Go (TTBB – Kempton)

“It May Not Be on a Mountain Height”, also known as “I’ll Go Where You Want Me to Go” is a beautiful text of commitment to a life of discipleship, to a new calling, missionary service, etc.: I’ll go, and say, and do and be what You want me to be. The organ in this arrangement is intended to evoke a sense of travel, perhaps on the ocean. It can be performed by a single capable organist, three-handed organ, by organ and solo instrument, or by piano, cello, and solo instrument. This Sacred Sheet Music is available for TTBB or SATB.

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I’ll Go Where You Want Me to Go (TTBB – Matt Nielsen)
arr. Matthew (Matt) D. Nielsen

I’ll Go Where You Want Me to Go (TTBB – Matt Nielsen)

This arrangement of the beloved hymn “I’ll Go Where You Want Me to Go” provides a more introspective approach to accepting a call to serve. With lush piano writing and a singing cello part, this arrangement offers a softer touch to a missionary-themed program.

This beautiful performance recording is by the Brigham Young University Men’s Chorus directed by Rosalind Hall.

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If You Could Hie to Kolob “Kingsfold” (Guitar Solo – Tilby)
arr. Ryan Tilby

If You Could Hie to Kolob “Kingsfold” (Guitar Solo – Tilby)

If You Could Hie to Kolob (Kingsfold)

Known by many names, this melody lends itself to the guitar fantastically, especially in this arrangement by Ryan Tilby. With a classical feel to it, the piece is arranged with several variations that vary in complexity. Guitarists of every skill level will enjoy the musicality and satisfying execution of this carefully orchestrated piece.

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If You Could Hie to Kolob (Piano Solo – Holyoak)
arr. Kathleen Holyoak

If You Could Hie to Kolob (Piano Solo – Holyoak)

Kathleen Holyoak’s award winning arrangement of If You Could Hie to Kolob, takes this famous old hymn to new heights. With a dramatic and powerful opening in a minor key, the hauntingly beautiful English melody is introduced and woven into a musical tapestry of rich chords and fast-moving triplets.

William W. Phelps set this melody to words and the back of his grave marker is inscribed with his hymn lyrics which were the inspiration for Kathleen’s impressive arrangement:

“There is no end to matter.

There is no end to space.

There is no end to spirit.

There is no end to race.

There is no end to glory.

There is no end to love.

There is no end to being.

There is no death above.”

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Il est né (He is Born)
arr. Anthony T. Buck

Il est né (He is Born)

Il est né – SSATB acapella. Text in French or in English Light, airy and easy to sing, this 5-voice carol is exciting for the choir looking for traditional, international Christmas Sheet Music.

.

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In Bethlehem There Lies a King
Kathleen Holyoak

In Bethlehem There Lies a King

Told in the first person (an eyewitness likely a shepherd), In Bethlehem There Lies a King recounts what he experiences and saw at the birth of Christ. Music by Kathleen Holyoak and Lyrics by Gary Croxall as follows:

I saw Him in a manger where I touched His hand and smoothed His hair.

He smiled at me and I felt peace while in a stable filled with beasts.

A wondrous child in swaddling clothes, a blossom fairer than a rose,

In Bethlehem I found the babe and heard the angels sing His praise.

In Bethlehem there lies a King. “Behold His star,” the angels sing.

“The Lord of lords is born this day and rests upon a bed of hay.”

I saw the Angel of the Lord whose voice did pierce me to the core.

“Fear not,” he spoke with solemn word, “For this is Jesus Christ, the Lord.”

The shepherds came and wise men too. They knelt before this baby, who

Was born to rule as King of kings and take away our cares and sins.

In Bethlehem there lies a King. “Behold His star,” the angels sing.

“The Lord of lords is born this day and rests upon a bed of hay.”

Copyright 2014

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In Humility–Be Thou My Vision
arr. Patrick Tatman

In Humility–Be Thou My Vision

In Humility-Be Thou My Vision – Patrick Tatman, arranger

Suitable for any church or concert setting, Tatman’s arrangement of “In Humility” from the LDS hymnal features the beautiful Prichard melody and combines it with the Irish folk melody, “Be Thou My Vision.” The combination of these two hymns results in a musical offering of peace, supplication, and love. The four voice arrangement can be performed well by a choir of any size.

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Infant Holy Infant Lowly
arr. Nathan Howe

Infant Holy Infant Lowly

Infant Holy Infant Lowly – Nathan Howe, arranger

Infant Holy, Infant Lowly (often sung with the text Stars were gleaming, shepherds dreaming…) is a memorable Polish Christmas carol. This arrangement by Nathan Howe features beautiful, natural SATB harmony over gorgeous contrasting lines in the piano and optional violin or flute. The instrumental parts also include subtle quotations from Jesus, Once of Humble Birth and The First Noel. This is an ideal Christmas selection for church or school choirs with limited rehearsal time.

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It Is Well, with My Soul
arr. David A. Zabriskie

It Is Well, with My Soul

This beautiful hymn, “It is Well, with My Soul” is arranged for SATB choir. David Zabriskie has arranged this hymn so that “It is Well, with My Soul” is heard simply and beautifully.

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Jesus Lover of My Soul (SATB – Staheli)
arr. Ronald Staheli

Jesus Lover of My Soul (SATB – Staheli)

Jesus Lover of My Soul – Ronald Staheli, arranger

A beautifully simple arrangement of this beloved hymn, with an accompaniment that supports the gently flowing musical lines. The arrangement makes use of 2, 3, and 4 parts in shaping the powerful expression of the hymn.

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Jesus of Nazareth
arr. Ryan Tilby

Jesus of Nazareth

A very true-to-the-original arrangement for the solo guitarist, “Jesus of Nazareth, Savior and King” is reverent and moving. In the key of D, with graceful bass lines and arpeggiated chord outlines that highlight the melody.

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Jesus Once of Humble Birth
arr. Mary Ellen Loose

Jesus Once of Humble Birth

Mary Ellen Loose’s sensitive approach to the hymn, Jesus Once of Humble Birth, is simply beautiful. This is an intermediate level Piano Solo.

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Jesus, Lover of My Soul (SATB – Strobel)
Robert Strobel

Jesus, Lover of My Soul (SATB – Strobel)

Jesus Lover of My Soul – Robert Strobel, composer

This setting of the lyrics, “Jesus, Lover of My Soul,” reflects the imagery of the simple, tranquil safety of abiding with the Savior. The setting begins blissfully in the key of F major; a syncopated accompaniment with a melody high in the right hand of the piano. The women are alone in the first part of the first verse. After the first verse, the accompaniment calms down, and the more subdued character of the men’s voices enter in Eb in the beginning of the second verse. The last verse ends a cappella with a short ending by the piano.

robert strobel’s bio: more works by robert strobel:

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Duration: Approx. 2:25

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Jesus, Savior, Pilot Me (Female Solo – Boothe)
arr. Ross Boothe and Michelle Boothe

Jesus, Savior, Pilot Me (Female Solo – Boothe)

A beautiful solo arrangement of “Jesus, Savior, Pilot Me” for female voice by Ross and Michelle Boothe. Also available for Male Solo.

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Duration: Approx. 3:10

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Jesus, Savior, Pilot Me (Male Solo – Boothe)
arr. Ross Boothe and Michelle Boothe

Jesus, Savior, Pilot Me (Male Solo – Boothe)

A beautiful solo arrangement of “Jesus, Savior, Pilot Me” for male voice by Ross and Michelle Boothe. Also available for Female Solo.

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Duration: Approx. 3:10

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Jesus, the Very Thought of Thee
arr. David A. Zabriskie

Jesus, the Very Thought of Thee

This arrangement of “Jesus, the Very Thought of Thee” is an “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Duration: Approx. 3:10

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Joseph Smith’s First Prayer (Viola Solo – Holyoak)
arr. Kathleen Holyoak

Joseph Smith’s First Prayer (Viola Solo – Holyoak)

Title: Joseph Smith’s First Prayer – Viola Solo

Music by Sylvanus Billings Pond

Arrangement by Kathleen Holyoak

Performance time: 4:15

Keys: G, Bb, A

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Duration: 4:15

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Joy!
Kathleen Holyoak

Joy!

Joy!, one of Kathleen Holyoak’s most popular Christmas anthems, arranged for SATB with organ and piano accompaniment, is exciting for singers to perform and a wonderful choice to open any holiday performance. (This SATB arrangement is also available with piano only.)

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Duration: Approx. 3:00

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Joyfully, Joyfully
Rock Oakeson

Joyfully, Joyfully

Joyfully Joyfully, SATB a cappella (1973)

Originally written for a college chamber choir’s Christmas concert, Rock Oakeson composed this four-part SATB carol as the concert’s opening piece. Intermediate in difficulty, its lively G major mood and pulsing rhythms make it an ideal carol for any seasonal performance, or even for skilled carolers going door-to-door through the neighborhood. The words are by Miles Coverdale (1488 – 1569), with additional words by Mr. Oakeson.

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Duration: Approx. 3:55

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King of Little Children, The
Janice Kapp Perry

King of Little Children, The

Master hymn-text writer, John V. Pearson, collaborated with well-known composer, Janice Kapp Perry, on over eighty hymns and songs during his lifetime, which came to a premature end in the year 2010 following a serious illness. His works, some of which have been performed by the Mormon Tabernacle Choir, are a monument to his life and will bless others through time.

He had a special love for children and their relationship with Jesus, and he has combined these two elements in a hauntingly sweet Christmas hymn, “The King of Little Children.” He has a particular love for this hymn and the interesting musical setting it was given by Janice Kapp Perry.

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Duration: Approx. 3:00

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Lead Kindly Light (Piano Solo – Ward)
arr. Kay Hicks Ward

Lead Kindly Light (Piano Solo – Ward)

Lead Kindly Light – Kay Hicks Ward, arranger

“Lead Kindly Light”: Whether child or adult, the darkness of night or being distant from home can be daunting. This comforting hymn offers sweet assurance that we need not see “…the distant scene”. Every single step in faith inevitably gives way to the morning sun with clearer vision and perspective. This hymn is one of my early favorites.

kay hicks ward’s bio: more works by kay hicks ward:

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Duration: Approx. 3:40

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Lead Kindly Light (SATB – Zabriskie)
arr. David A. Zabriskie

Lead Kindly Light (SATB – Zabriskie)

This is an SATB version of David Zabriskie’s arrangement of “Lead Kindly Light” which was originally arranged for solo voice. For full-score and parts, please inquire at info@holysheetmusic.com

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Duration: Approx. 4:50

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Lead Kindly Light (Violin Solo – Parkinson)
arr. Kelly Clark Parkinson

Lead Kindly Light (Violin Solo – Parkinson)

Kelly Clark-Parkinson has chosen a number of traditional and religious tunes, and she works the material from the inside, never overshadowing the melodies but instead seeking their highest, purest form. Ms. Clark-Parkinson is a tremendous instrumentalist. Here, she serves the material, letting the beauty of the melodies she has chosen take the forefront, rather than spoiling the mood with unnecessary pyrotechnics and flourishes (of which she would certainly be more than capable.) The arrangements aren’t simple or dumbed-down, they are just right.

This is track 08 from Kelly Clark Parkinson’s album: “How Sweet the Sound”

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Duration: Approx. 4:50

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Lead Kindly Light (Vocal Solo [High in G] – Zabriskie)
arr. David A. Zabriskie

Lead Kindly Light (Vocal Solo [High in G] – Zabriskie)

This solo version of “Lead Kindly Light”, is performed by Claybourne Elder, arranged and orchestrated by David A. Zabriskie. A full-orchestrated score is available for those who have the opportunity to sing with orchestras.

This arrangement is for High voice in G. This same arrangement is also available in Medium in Eb.

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Duration: Approx. 4:20

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Lead Kindly Light (Vocal Solo [medium Eb] – Zabriskie)
arr. David A. Zabriskie

Lead Kindly Light (Vocal Solo [medium Eb] – Zabriskie)

This solo version of “Lead Kindly Light”, is performed by Claybourne Elder, arranged and orchestrated by David A. Zabriskie. A full-orchestrated score is available (high version only) for those who have the opportunity to sing with orchestras.

This arrangement is for Medium (Eb) voice. This same arrangement is also available in High (G).

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Duration: Approx. 4:20

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Let Love Sustain You (Criddle – SATB)
arr. Reed Criddle

Let Love Sustain You (Criddle – SATB)

Let Love Sustain You – Reed Criddle, arranger

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Let Us All Press On (Huff)
arr. Michael D. Huff

URL

Let Us All Press On (Huff)

A stirring arrangement of “Let Us All Press On” for Women two-part with organ accompaniment by Michael D. Huff. This piece was commissioned for the Combined Women’s Chorus, Spring 2014 General Women’s Meeting.

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Duration: Approx. 2:30

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Let Zion in Her Beauty Rise
arr. David A. Zabriskie

Let Zion in Her Beauty Rise

This arrangement of “Let Zion in Her Beauty Rise” is a “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Duration: Approx. 2:25

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Let Zion in Her Beauty Rise (SATB-Div – Kempton)
arr. Randall Kempton

Let Zion in Her Beauty Rise (SATB-Div – Kempton)

This arrangement is energetic and has a gloriously big finish, but not before the choir paints a peaceful picture of “that glorious rest” that will reign in the Millennium. Features a ladies verse with contrapuntal organ and a men’s verse (using a stanza from “Rejoice a Glorious Sound is Heard”). This has been one of my most requested arrangements and is appropriate for any worship service.

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Duration: Approx. 4:15

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Like a Father (lower key)
Tyler Castleton

Like a Father (lower key)

Written for the LDS recording group Mercy River, the idea for Like a Father came as composer Tyler Castleton observed a young Jewish father tenderly caring for his children. As the children interacted with their father, calling him “Abba,” the idea came that our Heavenly Father does all the things he does for us just like a loving earthly father would. This song was included on Tyler’s retrospective album “When I Can’t Speak”. Sheet music is available for medium or low range

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Like a Father (medium key)
Tyler Castleton

Like a Father (medium key)

Written for the LDS recording group Mercy River, the idea for Like a Father came as composer Tyler Castleton observed a young Jewish father tenderly caring for his children. As the children interacted with their father, calling him “Abba,” the idea came that our Heavenly Father does all the things he does for us just like a loving earthly father would. This song was included on Tyler’s retrospective album “When I Can’t Speak”. Sheet music is available for medium or low range

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Like a Lily
Janice Kapp Perry

Like a Lily

For over twenty years U.S. Senator Orrin G. Hatch and his friend, composer Janice Kapp Perry, have collaborated in writing

a special one-page Christmas hymn each year, which was distributed widely among colleagues and friends. It has been a work of the heart as they tried to capture a particular aspect of Christmas that was meaningful to them. This gentle little Christmas hymn conveys the beauty and simple purity of Him who came to earth that first Christmas morning. His purity is compared to “a lily pure and white,” “a lily straight and tall,” and “a lily clean and bright,” and ends with the phrase, “Like a lily, fragrant sweet, Came the Holy Prince of Peace.” Choirs will enjoy the simple pristine feeling of this Christmas carol.

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Duration: Approx. 2:30

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Little Baby Boy (SAB)
arr. David A. Zabriskie

Little Baby Boy (SAB)

Little Baby Boy – David A. Zabriskie, arranger

Words and Music by the late Derryl Herring. This is a sweet arrangement of Derryl’s beautiful Christmas song arranged by David A. Zabriskie for three part voices – SAB Choir.

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Duration: approx. 2:45

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Long Ago Within a Garden (2-part choral)
Daniel Carter

Long Ago Within a Garden (2-part choral)

Long Ago Within a Garden – Daniel Carter, composer

An Easter-themed piece suitable for female/male duet or two-part chorus of women and men. The ageless images of the Tree of Life from the time of Adam to the tree that Jesus was crucified upon, to the invitation to come and partake of fruit of the tree of eternal life. A gentle, memorable melody with a moving message.

daniel carter’s bio:

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Duration: Approx. 2:30

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Long Ago Within a Garden (SATB)
Daniel Carter

Long Ago Within a Garden (SATB)

Long Ago within a Garden – Daniel Carter; Devan Jensen (Voice: SATB with Descant)

An Easter themed choral setting with descant using the ageless images of the Tree of Life from the time of Adam to the tree that Jesus was crucified upon, to the invitation to come and partake of fruit of the tree of eternal life. Devan Jensen’s moving text about life, death and atonement is a beautiful expression of eternal hope.

1. Long ago, within a garden,

Adam tasted of a tree,

Death would be our awful burden;

Only One could set us free

Alleluia, alleluia! Jesus came to set us free!

Lamb of God and true Messiah,

Song of joy we raise to Thee!

………

4. Come to Christ and be forgiven;

Taste the fruit of Father’s tree,

Sweetest fruit of all His garden,

Dwell with Him eternally.

Alleluia, alleluia! Jesus came to set us free!

Lamb of God and true Messiah,

Song of joy we raise to Thee!

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Duration: Approx. 3:40

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