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Serenity
Daniel Carter

Serenity

Serenity – Daniel Carter, composer

Gentle, new age/contemporary piano solo, “Serenity” was composed decades ago by Daniel Carter. It is available at holysheetmusic.com for the first time! Daniel described the circumstances that inspired the music. He writes, “Many years ago, while visiting my parents in rural Idaho, dawning light streamed through the window. As I gazed into the pastures and fields, and saw the expansive, endless sky, there was a complete sense of serenity. Later that day I composed the music.”

daniel carter’s bio: more works by daniel carter:

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Show Me Your Ways, O Lord
Niki Nichols

Show Me Your Ways, O Lord

“Show Me Your Ways, O Lord” was inspired by the 25^th Psalm. The piece expresses both the peace and frustration of David as he pleads with the Lord for direction. “Show my Your ways, oh Lord. Teach me Your paths. Lift up my soul for You are good.”

The recording is of the Rochester College Chorale. Used with permission.

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Duration: Approx. 1:30

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Silent Night – SSAATTBB and Orchestra
arr. David A. Zabriskie

Silent Night – SSAATTBB and Orchestra

Silent Night – SSAATTBB and Orchestra; David A. Zabriskie, arranger

A beautiful arrangement of Silent Night for SSAATTBB and Orchestra by David A. Zabriskie. The audio is a recording of the combined Brigham Young University Choirs with the BYU Philharmonic Orchestra. Orchestral Score and Parts also available on this site.

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Duration: Approx. 6:25

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Silent Night (Carter – Flute, Violin, Piano)
Daniel Carter - Arranger

Silent Night (Carter – Flute, Violin, Piano)

Silent Night (Flute, Violin and Piano) – Daniel Carter, arranger

Daniel Carter creates an ethereal, calm, instrumental trio for piano, flute, and violin in a beautiful new age style. suitable for concert, church and Christmas gatherings of all kinds. Performers love performing this arrangement and audiences love hearing it!

daniel carter’s bio: more music by daniel carter:

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Silent Night (Guitar Solo – Tilby)
arr. Ryan Tilby

Silent Night (Guitar Solo – Tilby)

When Ryan sent over this stunningly beautiful arrangement of “Silent Night” for Guitar Solo, I immediately loved it. I played it for several people. It is so cool, that I asked him if we could do a collaboration where I would basically take his arrangement and turn it into a choral SATB version. Both are published here at HolySheetMusic.com (By the way, his response was: “Wait, so you do a bunch of work and I get my name on it? Why, yes!”)

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Duration: Approx. 2:25

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Silent Night (Piano Solo – Bestor)
arr. Kurt Bestor

Silent Night (Piano Solo – Bestor)

From Kurt Bestor’s popular Christmas Album “One Silent Night”, this is an arrangement of the beloved carol “Silent Night” The recording is performed by the arranger, Kurt Bestor.

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Duration: Approx. 4:50

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Silent Night (SATB – Tilby/Zabriskie)
arr. Ryan Tilby and David A. Zabriskie

Silent Night (SATB – Tilby/Zabriskie)

This beautiful, single page arrangement is the combined talents of Ryan Tilby and Dave Zabriskie. It’s elegant and rich. It’s especially good for small vocal ensembles.

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Duration: Approx. 3:45

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Silent Night (TTTBBB – Zabriskie) “Peace is Possible”
arr. David A. Zabriskie

Silent Night (TTTBBB – Zabriskie) “Peace is Possible”

This glorious arrangement by David A. Zabriskie is from the video “Peace is Possible: The Christmas Truce of 1914”. Sung by the Brigham Young University Men’s Chorus directed by Rosalind Hall, it is scored for TTTBBB Choir. The text includes English, French and German. Be sure to click on the YouTube Video and watch this amazing heart-felt video. “Peace is Possible!”

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Duration: Approx. 2:35

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Silent Night (Violin Solo – Parkinson)
arr. Kelly Clark Parkinson

Silent Night (Violin Solo – Parkinson)

Kelly Clark-Parkinson has chosen a number of traditional and religious tunes, and she works the material from the inside, never overshadowing the melodies but instead seeking their highest, purest form. Ms. Clark-Parkinson is a tremendous instrumentalist. Here, she serves the material, letting the beauty of the melodies she has chosen take the forefront, rather than spoiling the mood with unnecessary pyrotechnics and flourishes (of which she would certainly be more than capable.) The arrangements aren’t simple or dumbed-down, they are just right.

This is track 09 from Kelly Clark Parkinson’s album: “How Sweet the Sound”

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Silent Night (Vocal Solo – Tonioli)
arr. Jason Tonioli

Silent Night (Vocal Solo – Tonioli)

Silent Night – Tonioli, Jason

This is one of the all time classic Christmas songs. It was first performed with a guitar accompaniment in the Church of St. Nicholas in Oberndorf, Austria on December 24, 1818. The text was written by priest Father Joseph Mohr and the melody was composed by Franz Gruber.

The song was also sung simultaneously in French, English and German by troops during the Christmas truce of 1914, a song that soldiers on both sides of the front line knew.

It’s interesting how music has the ability to bring different cultures together and break down barriers of misunderstanding that in some cases have existed over long periods of time.

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Simple Gifts/For the Beauty of the Earth
arr. Daniel Carter

Simple Gifts/For the Beauty of the Earth

Simple Gifts/For the Beauty of the Earth – Daniel Carter, arranger

In a delightful and surprising feast for the ears, Daniel Carter arranges two favorite melodies, “Simple Gifts” and “For the Beauty of the Earth,” in a medley that is accessible and memorable. With a nostalgic feel of “Americana,” the accompaniment clips at a comfortable pace as if horse, buggy and riders were on their way to celebrate Thanksgiving or any other event where gathering together to express gratitude and thankfulness might occur. Arranged for three-part chorus of soprano, alto and medium ranged men’s voices (baritone) with piano accompaniment.

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Duration: Approx. 4:05

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Sing Praise to Him (SATB)
arr. Randall Kempton

Sing Praise to Him (SATB)

SATB: Beginning with an organ fanfare, Sing Praise to Him is an energetic anthem that features divisi in all parts along with powerful unison sections. It’s challenging but rewarding and will sound best with a larger choir with a confident men’s section.

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Duration: Approx. 4:00

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Sing Praises
Douglas E. Bush

Sing Praises

This beautiful carol was given to me in 1979 by the late Dr. Douglas E. Bush – Professor of Music. For decades Doug was instructor of organ as well as an internationally known organist/performer. This is a simple Christmas carol.

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Duration: Approx. 1:00

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Sing We Now at Parting
arr. David A. Zabriskie

Sing We Now at Parting

This is a quiet, peaceful arrangement of the hymn “Sing We Now at Parting” for SATB by David A. Zabriskie. There are two separate melodies, the hymn tune sung by the women; a new melody sung by the men; and then they come together at the end for a beautiful sweet ending. It is very accessible to the meekest of choirs.

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Duration: Approx. 3:30

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Son of the Highest
Kathleen Holyoak

Son of the Highest

Son of the Highest for SATB Choir with violin obbligato

Son of the Highest, for SATB choir with violin obbligato by Kathleen Holyoak, is a wonderful choice for any Christmas service. It presents a fresh approach to the Virgin Mary’s experience when the angel, Gabriel, delivered the message that she was chosen by God to give birth to His Son. Mary, overwhelmed and realizing she was fore-ordained to be the Mother of Jesus, humbly accepted the great responsibility, having faith that she and Joseph would raise the Son of God.

The song begins with a gentle, rocking melody and builds to a powerful refrain and exciting ending. Follow the words as you listen:
To Mary, blessed Mary, favored of the Lord,

Came an angel on errand as prophets had foretold.

Mary in tears fell to her knees.

Who would believe her in all of Galilee?
He said she’d conceive and bear a special Son.

His name would be Jesus, the Father’s chosen One.

How could this be for a virgin was she?

The angel assured that with God, nothing is impossible.
He shall be called, Son of the Highest, Alleluia!

The Father shall give Him throne

And He shall reign. Alleluia!

Glory be to Jesus, the Messiah, the Holy One.
And what of dear Joseph, so loyal and true?

The Spirit bore witness he’d know his calling too;

To be not afraid but fully believe

With calm reassurance they’d raise the Son of God.
Alleluia, Alleluia, Alleluia!

Jesus Christ shall reign over the House of David

And of His kingdom there shall be, shall be no end.

Praise the Son of God. Alleluia!

Full of grace and truth.

The Savior, the Redeemer,

And the Only Begotten Son.

Alleluia! Alleluia!

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Duration: Approx. 4:15

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Song of Christmas
Beth Emmers

Song of Christmas

Song of Christmas – Beth Emmers, composer

Song of Christmas is a cheerful reminder of the meaning of the season, the Savior Jesus Christ. It invites you to envision the birth of the Savior in a stable, long ago, and then encourages you to be merry in your festivities, in that humble spirit. May it bring cheer to you this Holiday Season.

beth emmer’s bio:

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Duration: Approx. 3:30

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Spirit Come
Jacob Broussard

Spirit Come

Jacob Broussard is a 17-year-old classical composer from Southern California. His first choral work is called Spirit Come, written when he was 16, and has been performed by the University of Southern California (USC) Chamber Singers; a beautiful and slightly haunting piece.

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Spirit of Life
Carolyn McDade; arr. David A. Zabriskie

Spirit of Life

Spirit of Life – Carolyn Mcdade; arr. David A. Zabriskie

No other song, no other prayer, no other piece of liturgy is so well known and loved in Unitarian Universalism as “Spirit of Life” by Carolyn McDade.

It is our Doxology, or perhaps our “Amazing Grace.” Many congregations sing it every Sunday, or at least enough to know the words by heart. Sermons have been devoted to this one song. A new adult religious education curriculum being field-tested this fall is based on the song. It is sung at weddings and memorial services, around campfires and at demonstrations, at cradles and hospital bedsides.

In six short lines “Spirit of Life” touches so much that is central to our faith—compassion, justice, community, freedom, reverence for nature, and the mystery of life. It finds the common ground held by humanists and theists, pagans and Christians, Buddhists and Jews, gay and straight among us.

Spirit of Life, come unto me.
Sing in my heart all the stirrings of compassion.
Blow in the wind, rise in the sea;
Move in the hand, giving life the shape of justice.
Roots hold me close; wings set me free;
Spirit of Life, come to me, come to me.

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Duration: Approx.3:10

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Stayed on Jesus
arr. Reed Criddle

Stayed on Jesus

This is a fun, exciting, raucous arrangement of two African American Spirituals by Dr. Reed Criddle, director of Choral activities at Utah Valley University. This SATB Choir arrangement is scored for Jazz Piano, String Bass, Drums, Tenor Solo and Soli Women’s Trio.

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Duration: Approx. 5:50

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Still Is The Night
David A. Zabriskie

Still Is The Night

Still Is The Night – David A. Zabriskie, composer

Words by Allison Warner and Alice Johnson speak of a Shepherd’s perspective of the Savior’s birth. Music by David A. Zabriskie.

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Still Still Still
arr. David A. Zabriskie

Still Still Still

Still Still Still, the familiar Austrian carol, is newly translated by Dee R. Woolley and arranged by David A. Zabriskie. This simple arrangement is simple and beautiful.

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Sunny Bank (I Saw Three Ships)
arr. J. Chris Moore

Sunny Bank (I Saw Three Ships)

J. Chris Moore takes the familiar Christmas favorite “I Saw Three Ships” an creates a delightful arrangement for SATB Choir. It is very accessible to the average choir.

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Supplication
Kay Hicks Ward

Supplication

Supplication – Kay Hicks Ward, composer

Supplication for SATB Choir. This tender prayer of Jesus in Gethsemane is a plea for unity among all disciples. He humbly asks for strength as His earthly mission nears its fulfillment.

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Sussex Carol (Piano Solo – Tonioli)
arr. Jason Tonioli

Sussex Carol (Piano Solo – Tonioli)

Sussex Carol – arr. Jason Tonioli

The Sussex Carol is a popular British carol that was first published in 1684, by Luke Wadding, a 17th-century Irish bishop. It is a simple but fun carol to play for people during the holidays.

If you enjoy making up songs, I encourage you to write them down so they can be shared with others. You never know if your song might be played by someone 300 years later. At very least, you’ll be able to play it again in the future. Learning to write down music takes time, but I can tell you from experience, it is worth it.

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Duration: Approx. 3:20

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Sweet Hour of Prayer (Two-part – Carter)
arr. Daniel Carter

Sweet Hour of Prayer (Two-part – Carter)

Sweet Hour of Prayer – Daniel Carter, arranger

“Sweet Hour of Prayer” is reinvented by Daniel Carter with a gentle, flowing accompaniment, rich with countermelodies, while keeping unfettered the sweet simplicity of the traditional melody. Easy to perform as two-part chorus of mixed voices with an accessible range for medium ranged voices.

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Duration: Approx. 3:20

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Sweet Hour of Prayer (Guitar Solo – Tilby)
arr. Ryan Tilby

Sweet Hour of Prayer (Guitar Solo – Tilby)

Sweet Hour of Prayer

Using an alternate tuning to give a piano-like depth to the guitar, this spacious arrangement by Ryan Tilby emphasizes the beautiful melody of the hymn while supporting it with a deep underpinning of open strings. Deceptively simple to play, once the tuning and fingerings are laid out.

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Duration: Approx. 3:45

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Sweet Is the Peace the Gospel Brings (SATB – Organ)
arr. Ronald Staheli

Sweet Is the Peace the Gospel Brings (SATB – Organ)

Sweet Is the Peace the Gospel Brings – Ronald Staheli, arranger

A gorgeous and peaceful SATB arrangement by Ronald Staheli. This arrangement has Organ Accompaniment. We also offer a piano accompaniment version.

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Duration: Approx. 4:00

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Sweet Is the Work
David A. Zabriskie

Sweet Is the Work

This is a new setting of Isaac Watts’ hymn “Sweet Is the Work”. Composer David Zabriskie has created a new melody freely based on John McClellan’s hymn tune. It is composed for SATB choir. The last verse the choir is in unison with a descant above.

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Duration: Approx. 3:35

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Sweet Is the Work (Buck, SSAA)
arr. Anthony T. Buck

Sweet Is the Work (Buck, SSAA)

Sweet is the Work – SSAA – a cappella. The traditional hymn text set for women’s chorus or quartet. The melody passes from voice to voice, finishing this exciting arrangement with an intricate climax of praise.

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Take My Hand
Kathleen Holyoak

Take My Hand

Take My Hand, a SATB choral arrangement with music by Kathleen Holyoak, is an especially beautiful title relating to the theme of service: helping and lifting others and a wonderful choice for any worship service. This title is also available in a SSA arrangement and includes a violin obbligato. Follow the words as you listen:

When I reach to help another,

When I seek to take their part,

I can feel the love of heaven

Settle gently in my heart.

With these hands to offer mercy

I help wipe away each care,

As I bend to lift another

From despair, from despair.

Take my hand, take my hand,

I will lift you come what may.

With faith the Lord, our loving Lord,

With faith that He will always show the way.

We are sent to render comfort and to

Pray for those who mourn,

And bring the gospel radiance

To each friend who is forlorn;

To lift them in their weakness

With help from heav’n above,

And walk with them and talk with them

Until they feel God’s love.

When I see a person suff’ring

From a loss or from a need,

When a neighbor seeks my comfort

And I hasten to pay heed.

Then the Holy Spirit guides me,

Shedding light along the way,

As I’m reaching out to others

Day by day, day by day.

Take my hand, take my hand,

I will keep you come what may.

Come walk with me until you see

Our Savior’s arms are always open wide.

Take my hand, take my hand.

Copyright 2012 by Lawrence Lee

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Duration: Approx. 4:15

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Taught by Their Mothers – unison
David A Zabriskie

Taught by Their Mothers – unison

Words by Devan Jensen and music by David A. Zabriskie, this delightful tune is for “LDS Aaronic Priesthood Youth” sung in unison. The text is based on Alma 57: “21 Yea, and they did ^aobey and observe to perform every word of command with exactness; yea, and even according to their faith it was done unto them; and I did remember the words which they said unto me that their ^bmothers had taught them.”

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Duration: Approx. 2:30

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Teach Me to Walk in the Light (SATB – Leavitt, John)
arr. John C. Leavitt

Teach Me to Walk in the Light (SATB – Leavitt, John)

Teach Me to Walk in the Light – John C. Leavitt, arranger

This setting of “Teach Me to Walk In the Light” has a lot of childlike heart to it. The harmonies are fresh and rich, but the humility of the text remains the most important element. The final verse, which is sung a cappella, is a prayer that is to be sung freely and earnestly. Although at times this arrangement may tend to be dramatic, it is my hope that it will always be sung with simplicity and honesty.

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Duration: Approx. 3:40

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Testament of Paul: 01 – Prologue
David A. Zabriskie

Testament of Paul: 01 – Prologue

From David A. Zabriskie’s Oratorio, “Testament of Paul”, this is the opening piece for Baritone Solo (Paul the Apostle).

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Duration: Approx. 4:45

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Testament of Paul: 02 – Every Knee Should Bow
David A. Zabriskie

Testament of Paul: 02 – Every Knee Should Bow

“Every Knee Should Bow” is from a work titled “Testament of Paul” by David A. Zabriskie. The one hour oratorio was commission by the Brigham Young University – Idaho Choral Department as part of their Sacred Service project. This is the second piece in a work of 15 pieces.

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Duration: Approx. 3:20

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Testament of Paul: 03 – Who art Thou, Lord
David A. Zabriskie

Testament of Paul: 03 – Who art Thou, Lord

From David A. Zabriskie’s Oratorio, “Testament of Paul”, this is the third piece for “Paul, Christ, Ananias and Choir”.

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Duration: Approx. 5:30

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Testament of Paul: 04 – In Remembrance of Me
David A. Zabriskie

Testament of Paul: 04 – In Remembrance of Me

“In Remembrance of Me” comes from the “Testament of Paul”, and oratorio by David A. Zabriskie. The text is taken from 1 Corinthians 11:23-26. These are the words of the Savior as he gives of the bread and wine to his apostles at the last supper. It is for SSAATTBB choir.

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Duration: Approx. 4:45

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Testament of Paul: 05 – In Christ Shall All Be Made Alive
David A. Zabriskie

Testament of Paul: 05 – In Christ Shall All Be Made Alive

This is #5 in the work “Testament of Paul”. It is written for SSAATTBB choir. This text is appropriate for the Easter Service.

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Duration: Approx. 4:15

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Testament of Paul: 06 – O Death, Where is thy Sting?
David A. Zabriskie

Testament of Paul: 06 – O Death, Where is thy Sting?

#06 – O Death, Where is thy Sting, is from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for SSAATTBB Choir – a cappella.

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Duration: Approx. 3:50

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Testament of Paul: 07 – In the Midst of Mars Hill
David A. Zabriskie

Testament of Paul: 07 – In the Midst of Mars Hill

#07 – In the Midst of Mars Hill, is from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for Baritone Solo (Paul) and SATB Choir with accompaniment.

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Duration: Approx. 5:30

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Testament of Paul: 08 – A New Covenant
David A. Zabriskie

Testament of Paul: 08 – A New Covenant

#08 – A New Covenant, is from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for SSAATTBB Choir with accompaniment.

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Testament of Paul: 09 – Eye Hath Not Seen
David A. Zabriskie

Testament of Paul: 09 – Eye Hath Not Seen

#09 – Eye Hath Not Seen, is from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for Soprano Solo and SATB Choir with accompaniment.

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Testament of Paul: 10 – I am Ready to Die
David A. Zabriskie

Testament of Paul: 10 – I am Ready to Die

From David A. Zabriskie’s Oratorio, “Testament of Paul”, this is #10 of 14 pieces composed for “Choir, Agabus and Paul”.

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Testament of Paul: 11 – Be of Good Cheer
David A. Zabriskie

Testament of Paul: 11 – Be of Good Cheer

From David A. Zabriskie’s Oratorio, “Testament of Paul”, this is “11 – Be of Good Cheer” of 14 pieces composed for “Choir and Baritone Solo (Christ)”.

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Testament of Paul: 12 – How Beautiful are the Feet of Him
David A. Zabriskie

Testament of Paul: 12 – How Beautiful are the Feet of Him

Testament of Paul: 12 – How Beautiful are the Feet of Him; David A. Zabriskie, composer

“How Beautiful are the Feet of Him” comes from David Zabriskie’s “Testament of Paul”, an oratorio. The recording was made by the BYUI Choral Department. The text is from Romans 10:15. This beautiful piece is performed A Cappella and written for SSAATTBB Choir.

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Testament of Paul: 13 – Rejoice in the Lord
David A. Zabriskie

Testament of Paul: 13 – Rejoice in the Lord

#13 – Rejoice in the Lord, is from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for SSAATTBB Choir.

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Testament of Paul: 14 – Put on the Whole Armour of God
David A. Zabriskie

Testament of Paul: 14 – Put on the Whole Armour of God

#14 – Put on the Whole Armour of God, the last piece from the Oratorio “Testament of Paul” by composer David A. Zabriskie. This piece is for Baritone Solo (Paul the Apostle) and Choir.

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Testament of Paul: 05 – In Christ Shall All Be Made Alive – Orchestral Score and Parts
David A. Zabriskie

Testament of Paul: 05 – In Christ Shall All Be Made Alive – Orchestral Score and Parts

In Christ Shall All Be Made Alive – David A. Zabriskie, composer

This is the orchestral score and parts for #5 – In Christ Shall All Be Made Alive from “The Testament of Paul”. The orchestration is for:

Piccolo, 2 Flutes, Oboe, English Horn, 2 Clarinets in Bb, Bass Clarinet, Bassoon, Horns 1-3, Horns 2-4, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion 1, Percussion 2, Harp, Piano, and Strings.

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That Brightest Dawn
Daniel Carter

That Brightest Dawn

That Brightest Dawn – Daniel Carter, composer

Daniel Carter composed his first cantata, “The Bread of Life,” in the late 1970’s. Since then, “That Brightest Dawn” remains a stand-alone favorite for soloists and choirs each Easter season. For the first time, the vocal solo and choir version is available as it was originally composed. “That brightest dawn so long ago, renewed all life because He rose, And all that stir and all that breathe shall live again because He lives.”

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That Night in Gethsemane
Kathleen Holyoak

That Night in Gethsemane

When Lawrence Lee wrote the lyrics for this hauntingly beautiful SATB choral title, he was thinking of the number of times we choose “to drink our own bitter cup” without exercising faith that Jesus has already taken this cup for us. All He asks is that we recognize His act in the Garden and on Calvary and to “Come Unto Him.” This title can also be found on Kathleen Holyoak’s “Angels on Tiptoe” CD at Heartrise Music.com or by contacting Kathleen directly.

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That Night of Nights
Daniel L. Carter

That Night of Nights

In the tradition of the ancient carol dances, Daniel Carter mixes lush modern harmonies with a spirited chorus to tell the Christmas story. Memorable melody and words will have listeners humming along. A carol suitable for choirs, caroling parties, Christmas programs, pageants and all things Christmas.

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That Night of Nights – Hymn (Carter)
Daniel L. Carter

That Night of Nights – Hymn (Carter)

That Night of Nights – Daniel Carter, composer

In the tradition of the ancient carol dances, Daniel Carter mixes lush modern harmonies with a spirited chorus to tell the Christmas story. Memorable melody and words will have listeners humming along. A carol suitable for choirs, caroling parties, Christmas programs, pageants and all things Christmas. This version is an one-sheet format.

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The Best Gift of All
Daniel L. Carter

The Best Gift of All

The Best Gift of All – Daniel Carter, composer

What to give your spouse, partner or dearest loved ones is always a good question at Christmas. Daniel Carter suggests in this romantic ballad a new approach:
“But my best gift,
and my next gift,
I’ve decided not to fret or search or buy.
I’ll start early,
prepare thoroughly
and I’ll give the best of all I know to give—
my very best self.”

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The First Noel – Piano Duet
arr. Daniel L. Carter

The First Noel – Piano Duet

The First Noel – Daniel Carter, arranger

A timeless Christmas favorite arranged for 1 piano, 4 hands in a haunting, new age approach. Imagine a soft breeze blowing through Bethlehem as this melody begins.

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The Garden Tomb (SATB – Holyoak)
Kathleen Holyoak

The Garden Tomb (SATB – Holyoak)

The Garden Tomb, Kathleen Holyoak

The Garden Tomb, is a lovely new song for Easter by Kathleen Holyoak and lyricist, Gary Croxall. Tender lyrics most beautifully echo the Savior’s birth in Bethlehem, recounting His resurrection and build to a triumphant finale. Now available for SSAA or SATB choir, this is one title you will want to add to your library of special Easter music.

In a garden, dawns the day. Stars that glitter fade away.
Blossoms open, bathed in dew. All the earth awakes anew.
Midst the leaves of olive trees, birds, like seraphs, sweetly sing.
Flowers turn to greet the light; all is calm and all is bright.
Down a path, beneath a hill, lies a cave where all is still.
Near the tomb, now cast aside, rests a stone upon its side.
Angels watch, their vigil keep, where the Lord of all did sleep.
See the cloth that held God’s Son, Jesus the Anointed One.

Aleluia, Aleluia, Jesus the Messiah!
Aleluia, Aleluia, Jesus the Anointed One.

Loving Mary gently weeps. Gone the Father’s precious Sheep.
Empty is her tender heart, hollow as the tomb she sought.
Frankincense and myrrh still cling to the grave that bore a King.
Who shall lead his children on, to the place where he is gone?
“Woman.” Did the gard’ner speak? “Woman, why then dost thou weep?”
“Mary.” ‘Tis the Savior’s voice! Come, ye faithful, and rejoice.
Who shall raise the sons of earth? Christ shall give them second birth.
With the herald angels sing praises to our Lord and King.

Aleluia, Alelu . . . Sing praises to our Lord and King.
Aleluia, Aleluia. Sing . . .praises to our Lord and King, Our King!

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The Garden Tomb (SSAA – Holyoak)
Kathleen Holyoak

The Garden Tomb (SSAA – Holyoak)

The Garden Tomb, Kathleen Holyoak

The Garden Tomb, is a lovely new song for Easter by Kathleen Holyoak and lyricist, Gary Croxall. Tender lyrics most beautifully echo the Savior’s birth in Bethlehem, recounting His resurrection and build to a triumphant finale. Now available for SSAA or SATB choir, this is one title you will want to add to your library of special Easter music.

In a garden, dawns the day. Stars that glitter fade away.
Blossoms open, bathed in dew. All the earth awakes anew.
Midst the leaves of olive trees, birds, like seraphs, sweetly sing.
Flowers turn to greet the light; all is calm and all is bright.
Down a path, beneath a hill, lies a cave where all is still.
Near the tomb, now cast aside, rests a stone upon its side.
Angels watch, their vigil keep, where the Lord of all did sleep.
See the cloth that held God’s Son, Jesus the Anointed One.

Aleluia, Aleluia, Jesus the Messiah!
Aleluia, Aleluia, Jesus the Anointed One.

Loving Mary gently weeps. Gone the Father’s precious Sheep.
Empty is her tender heart, hollow as the tomb she sought.
Frankincense and myrrh still cling to the grave that bore a King.
Who shall lead his children on, to the place where he is gone?
“Woman.” Did the gard’ner speak? “Woman, why then dost thou weep?”
“Mary.” ‘Tis the Savior’s voice! Come, ye faithful, and rejoice.
Who shall raise the sons of earth? Christ shall give them second birth.
With the herald angels sing praises to our Lord and King.

Aleluia, Alelu . . . Sing praises to our Lord and King.
Aleluia, Aleluia. Sing . . .praises to our Lord and King, Our King!

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The Gift
Kathleen Holyoak

The Gift

The Gift, arrangement for SATB (but mostly SAB), with words with a contemporary and fresh approach when referencing the birth of Jesus Christ, is a lovely choice for any Christmas worship service. The gentle, rocking melody is easy and can be learned in just a couple of rehearsals. The refrain, “Share the gift that God has given; His gift to you, His Christmas gift, His gift to you and me” builds to a wonderful ending. Follow the words as you listen:

The Gift

Words: GARY CROXALL Music: KATHLEEN HOLYOAK

God’s Christmas gift was never wrapped

And tied up with a bow.

It wasn’t purchased in a shop

Nor found within a store.

It was a simple gift, indeed,

Yet sacred and sublime.

It was a gift of love, a gift of life

Of hope and peace divine.

Search out the gift, embrace it tenderly.

Share the gift that God has given,

His gift to you and me.

God gave no gold, no frankincense;

He gave no amber myrrh.

The Father gave to all mankind,

A baby fair and pure.

He gave His Son to you and me,

It was our Savior, Jesus Christ.

He is the gift, our Christmas gift,

Born that holy night.

Search out the gift, embrace it tenderly.

Share the gift that God has given;

His gift to you,

His Christmas gift,

His gift to you and me.

Copyright 2015

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The Iron Rod
arr. David A. Zabriskie

The Iron Rod

This arrangement is especially fun for Teenagers/Youth. Easy.

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The Keeper of Galilee (Holyoak, SATB)
Kathleen Holyoak - Composer

The Keeper of Galilee (Holyoak, SATB)

“The Keeper of Galilee,” is a lovely SATB arrangement by composer, Kathleen Holyoak. The beautiful and most descriptive words by Sherry Summers provide listeners with a visual of Galilee, the place where many miracles took place during Christ’s ministry:

The Keeper of Galilee

They traveled the rills and the rolling hills
to the place where the Master would be.
Some journeyed as far as the desert sands
to the shore of the murmuring sea.

The lame man had left his bed and walked;
the blind man from birth now could see!
The people of neighboring villages knew
of the Keeper of Galilee.

His arms opened wide to the whole country side
as He stepped from the old fishing boat.
And then one by one, Father’s beautiful Son
introduced His disciples by name.

He spoke of the precious birds and flow’rs
and how He would take care of me.
My eyes never moved from the billowing robes
of the Keeper of Galilee.

I heard Him speak, He spoke to me
from the banks of the Galilee.
If He could calm a raging storm,
He could certainly do this for me.

The stones and the trees seemed to magnify
the words of this soft-spoken man.
My sorrow released as I wept at the feet
of the Keeper of Galilee.

Right there, near the rock, when He taught I knew
from the moment we met by the sea;
My life would never be the same.
He would carry my burdens for me.

And when the sun cast a silhouette,
five loaves and two fishes would feed
the five thousand hungry who were cared for that night
by the Keeper of Galilee.
My sorrow released, it was left at the feet
of the Keeper of Galilee.

Copyright 2017, 2018

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The King of Love My Shepherd Is
Daniel Carter

URL

The King of Love My Shepherd Is

The King of Love My Shepherd Is – Daniel Carter, Composer

A new musical setting of the beloved text by Henry W. Baker, composed by Daniel Carter. Gentle and inspiring, arranged for SATB Choir and Piano. Last verse includes a simple descant for sopranos while the rest of the choir sings melody in unison.

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The Light of Man
Daniel L. Carter

The Light of Man

The Light of Man – Daniel Carter, composer

Composed in the style of an ancient round dance, this lively Christmas carol sings of the birth of Christ and looks forward to his return.

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The Living Christ
Wayne Burton

The Living Christ

Inspired by the published declaration of the prophet and apostles by the same name, this song celebrates the Savior of the world and his place in our lives and in history. The rousing chorus brings in the element of honouring the king that he is.

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The Lord Is My Shepherd (Piano Solo – Ward)
arr. Kay Hicks Ward

The Lord Is My Shepherd (Piano Solo – Ward)

The Lord is My Shepherd – Kay Hicks Ward, arranger

“The Lord Is My Shepherd”: Throughout this glorious hymn, dual melodies seem intertwined to more fully express the message of David’s beloved 23^rd Psalm. Numerous composers and arrangers have put their own stamp on this beautiful hymn. I hope this arrangement conveys the confidence I feel knowing that, indeed, the Lord is my own Shepherd.

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The Lord Is My Shepherd (SATB – Carter)
arr. Daniel Carter

The Lord Is My Shepherd (SATB – Carter)

The Lord Is My Shepherd – SATB, Daniel Carter

A sumptuous choral setting of the traditional hymntune by Thomas Koschat with a poetic adaptation of Psalm 23 by James Montgomery. Independent choral lines for each voice part require initial work, but the result is emotionally moving and spiritually gratifying. Suitable as a general worship hymn, consolation, peace and solace. Also a beautiful concert piece.

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The Lord is My Shepherd (SATB – Fleming)
Sam Fleming

The Lord is My Shepherd (SATB – Fleming)

The Lord is My Shepherd – Sam Fleming, composer

A new refreshing setting for SATB choir (with an optional descant) and organ accompaniment (or piano and two flutes) with text by James Montgomery (1771-1854) based off of Psalms 23.

Performed by Vocal Union at BYU-Idaho. Vocal Union is the premiere mixed vocal jazz group on the BYU-Idaho Campus and consists of students of all majors. Though Vocal Union’s specialty is jazz music they also perform a selection of sacred music for several occasions as well.

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The Lord is My Shepherd (SATB – Zabriskie)
arr. David A. Zabriskie

The Lord is My Shepherd (SATB – Zabriskie)

A sweetly, peaceful “rocking” piano figure that runs throughout this arrangement of “The Lord is My Shepherd” for SATB choir. The choir will enjoy the “quasi-canon” on the last verse.

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The Lord is My Shepherd (TTBB – Zabriskie)
arr. David A. Zabriskie

The Lord is My Shepherd (TTBB – Zabriskie)

A simple and beautiful arrange of “The Lord is My Shepherd” for TTBB voices by composer/arranger David A. Zabriskie. This will be an arrangement that the men will love to sing.

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Duration: Approx. 2:35

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The Priesthood Now is Restored
Daniel Carter

The Priesthood Now is Restored

The Priesthood Now is Restored – Daniel Carter, composer

Daniel Carter’s restoration cantata, “A Dawning Light” celebrates LDS Church historical events of the First Vision, The Book of Mormon, and restoration of the priesthood. “The Priesthood Now Is Restored” is arranged for SATB choir as well as for men’s choir and utilizes bold harmonies and fanfare melodies. Published for the first time since it was composed and performed in 1991, this joyous anthem is available exclusively through HolySheetMusic.com

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The Soul Got It Right
David A. Zabriskie

The Soul Got It Right

“The Soul Got It Right” is from David Zabriskie’s and Don Wilson’s musical “The Legend of Sleepy Hollow” This piece is a solo sung by Ichabod Crane when he feels his love toward Katrina and believes he has found his soul mate. On the recording, Jared Morgan is the soloist.

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The Spirit of God Like a Fire is Burning (Piano Solo – Tonioli)
arr. Jason Tonioli

The Spirit of God Like a Fire is Burning (Piano Solo – Tonioli)

When I began working on this arrangement, I wanted the song to be pretty, but also portray the emotions and excitement we would feel for the coming of our Savior. In the middle of the song you will hear the melody from Joy to the World. As you move toward the middle and end of the song, I’ve integrated more of a marching sound, meant to give reference to the fact that the work continues to move forward. On the last verse, I slow down the melody and go into the higher octaves. For the final verse, I pictured someone who was engaged in the work of the Lord but the time had come to move on to the next phase in their life. The emotions I wanted to portray at the end of the song were of those who were left behind to continue the work.

We live in an exciting time, and our possibilities are endless. Be sure to take advantage of the opportunities you have to learn, grow, develop and enjoy life. However, be sure you make time for those things that are most important in the eternities as well.

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The Sum of Every Praising Voice
Daniel Carter

The Sum of Every Praising Voice

The Sum of Every Praising Voice – Daniel Carter, composer

To commemorate the Mormon History Association’s fiftieth anniversary meeting, Daniel Carter was commissioned to compose a new work for the celebration and conference.

The sum of every praising voice
Throughout eternity
Could never equal all the love
And grace God’s given me.

The earth beneath, the sky and sun,
The moon, and stars above
For our support and good were made—
All blessings of His love.

This day, and every day with joy
I sing to bless His name
Just as the night and stars unite,
Combine to shine His praise.

And those before, those still ahead,
And those here with me sing
United and connected through
Our kind, eternal King.

© 2015 by Daniel Carter. All rights reserved.

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There Burns a Star in Bethlehem
Dan Montez

There Burns a Star in Bethlehem

This new Christmas anthem by Dan Montez, with beautiful text by Eugene Field, is a marvelous gem to add to any Holiday program. The melody is reverent and simple, yet has rich harmonies that will delight both the choir and the congregation.

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There is a Balm in Gilead
David A. Zabriskie

There is a Balm in Gilead

A beautiful setting of this wonderful traditional spiritual text. Music by David A. Zabriskie. This is an easy SATB setting.

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There is a Green Hill (Viola Solo – Holyoak)
arr. Kathleen Holyoak

There is a Green Hill (Viola Solo – Holyoak)

Title: There is a Green Hill – Viola Solo

Music by John H. Gower

Arrangement by Kathleen Holyoak

Performance time: 2:30

Keys: C

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There is a Green Hill Far Away (Carter)
arr. Daniel Carter

There is a Green Hill Far Away (Carter)

There is a Green Hill Far Away – Daniel Carter, arranger

“There is a green hill far away, Without a city wall, Where the dear Lord was crucified who died to save us all.” A choral setting appropriate for Easter and other atonement related themes and contemplations about the Savior and his sacrifice. Daniel Carter’s arrangement is easy to perform with a fresh feel and flowing accompaniment.”

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There is a Green Hill Far Away (Organ Solo)
arr. Kathleen Holyoak and Daniel Carter

There is a Green Hill Far Away (Organ Solo)

There is a Green Hill Far Away – Carter/Holyoak, arrangers

Daniel Carter and Kathleen Holyoak have combined efforts to arrange a simple, yet lovely arrangement for any organist and suitable for Easter or any other service.

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There is a Green Hill Far Away (SATB – Pike)
arr. Aaron Pike

There is a Green Hill Far Away (SATB – Pike)

A simple, yet moving arrangement of the classic hymn “There Is a Green Hill Far Away”. The gentle, flowing introduction leads to a simple unison melody in the first verse. With each coming verse the build-up continues until we are led to the triumphant ending where we are invited to “trust in His redeeming blood and try His works to do.” This arrangement is sure to bring peace and serenity to any audience and encourage a more thoughtful and contemplative worship.

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Duration: Approx. 3:05

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There Is a Green Hill Far Away (String Trio with Piano or “Piano Quartet”)
arr. Kathleen Holyoak

There Is a Green Hill Far Away (String Trio with Piano or “Piano Quartet”)

“There is a green hill far away without a city wall, where the dear Lord was crucified and died to save us all.” This lovely string arrangement by Kathleen Holyoak expresses exquisite purity and tenderness and is suitable for Easter or any worship service.

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Duration: approx. 2:45

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There Will Be Rest (Solo Version)
David A. Zabriskie

There Will Be Rest (Solo Version)

Zabriskie Requiem : 10 – There Will Be Rest (solo version); David A. Zabriskie, composer

From the Zabriskie Requiem for solo soprano. The original version is for Solo Soprano, SATB Choir and piano accompaniment. The text is written by Sara Teasdale, music by David A. Zabriskie.

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Duration: Approx. 4:35

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This House We Dedicate to Thee
arr. David A. Zabriskie

This House We Dedicate to Thee

This arrangement of “This House We Dedicate to Thee” is wonderful for any building dedication or service. It is arranged for SATB choir by David A. Zabriskie

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Duration: Approx. 2:35

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Thy Spirit, Lord, Has Stirred Our Souls
arr. David A. Zabriskie

Thy Spirit, Lord, Has Stirred Our Souls

This arrangement of “Thy Spirit, Lord, Has Stirred Our Souls” is a “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Duration: Approx. 2:00

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Tiny Little King
Carrie Wrigley

Tiny Little King

A Tiny Little King

Rich and worshipful, this original Christmas song captures the reverent adoration of those who visited Jesus while he was a baby. It reflects the majesty of who He is, contrasted with the humble circumstances into which he was born.

“Oh, he could have come in a chariot that blazed across the sky,

Like a bold and mighty warrior, lifting his sword up high;

Or he could have come in luxury, surrounded by lands and gold;

But here he lies in a stable bed, sleeping in the cold.”

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Duration: Approx. 4:00

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To Bring Them to Thee
Daniel Carter

To Bring Them to Thee

To Bring Them to Thee – Daniel Carter, composer

For “The Old Testament” series of the LDS Seminaries and Institutes, Daniel Carter was commissioned to write a song for LDS Young Women about motherhood. For the first time ever, over 20 years later, this frequently requested song is available exclusively at HolySheetMusic.com. Often sung by young women to honor their mothers on Mother’s Day, this song is suitable for any setting where mothers and families are the theme.

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Duration: Approx. 4:25

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To Love You
Daniel Carter

To Love You

To Love You – Daniel Carter, composer

“It sounds like a theme from a movie!” is often heard when people hear this piece. Especially well suited for Mother’s and Father’s Days, as well as any occasion about love and family. Not too difficult to perform, this piano solo will add that bittersweet, nostalgic feeling of love and appreciation. Exclusively available at HolySheetMusic.com.

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Duration: Approx. 3:20

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Unknown Grave, The
arr. David A. Zabriskie

Unknown Grave, The

David Hyrum Smith, the youngest child of the prophet Joseph Smith, was yet unborn at the the time of the martyrdom. The prophet’s enemies were anxious to steal his body, so the sad burial was conducted in secret by a few of Joseph’s friends. Eighteen years later, in 1867, David composed the words and melody of this song reflecting upon his father’s “unknown grave.” Several versions of the text exist with various publication dates. These words have been chosen as the most representative.

This poignant arrangement by David Zabriskie is for SATB Choir with optional vocal solo.

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Duration: Approx. 3:15

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Wade in the Water
Arr. David A. Zabriskie

Wade in the Water

A wonderfully poignant and accessible arrangement for Piano Duet (1 piano, four hands). Eventually, this will be in a collection of several piano duets based on traditional folk tunes.

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Duration: Approx. 3:30

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Walk with Me
Tyler Castleton and Staci Peters

Walk with Me

Walk With Me — Co-written with songwriter Staci Peters, Walk With Me is a favorite of composer Tyler Castleton because of the message it brings — that we all experience some very difficult moments in our lives, and the one person who truly understands and can help us get through those times is the Savior. Though this song was originally recorded by a female vocalist, Tyler can be heard singing Walk With Me on his retrospective album “When I Can’t Speak”. Optional cello part available.

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Water is Wide, The
arr. David A. Zabriskie

Water is Wide, The

A beautiful and accessible arrangement of “The Water is Wide” for piano duet. This will become a favorite of those loving to play and perform piano duets.

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Duration: Approx. 3:00

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We Live in Possibility
David A. Zabriskie

We Live in Possibility

We Live in Possibility – David A. Zabriskie, composer

“We Live In Possibility” was commissioned for the 4th Annual Florida District Choral Festival. This beautiful text by Ann Hossler, is exuberant and uplifting.

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Duration: Approx. 2:30

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We Love Thy House, O God (Hymn Enhancer – Zabriskie)
arr. David A. Zabriskie

We Love Thy House, O God (Hymn Enhancer – Zabriskie)

This arrangement of “We Love Thy House, O God” is an “Hymn Enhancer”. Each Hymn Enhancer comes with two labels. The choir reads the music out of the hymnbook. The hymnal version is included for easy reading and contains instructions for the choir member on how this hymn is to be performed. These Hymn Enhancers are simple, beautiful, and quick to prepare. They are also great for teaching singing techniques and practices.

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Duration: Approx. 2:10

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We Three Kings
arr. Kathleen Holyoak

We Three Kings

This unusual arrangement of one of the most beloved carols, “We three Kings,” arranged by Kathleen Holyoak, evokes mysterious images of the three Magi as they traveled from the East. The underlying rhythmic motive in the bass accompaniment is the heartbeat of the arrangement and represents the motion of the camels and the jingle of camel bells as they saunter slowly through the desert in search of the Christ child in Jerusalem. (Note: Cameleers often put bells on camels at night to prevent them from getting lost.)

“We Three Kings” remains one of the most frequently sung Christmas carols today. This arrangement is suitable for a soloist or a small group singing in unison.

A choral discount of .99 each when 10 or more copies are purchased.

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Duration: Approx. 2:55

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Wexford Carol
arr. Nathan Howe

Wexford Carol

Wexford Carol – arr. Nathan Howe

The Wexford Carol (Good People All, This Christmas time) is a gorgeous traditional Irish melody, paired with a lovely ecumenical Christmas text. In this arrangement, the piano provides small brushstrokes of colorful harmony while supporting the radiant, approachable choral texture. The Wexford Carol is an ideal Christmas selection for church and community choirs of moderate ability.

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Duration: Approx. 4:10

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What Can I Give Him ? (Two-part Women)
Daniel Carter

What Can I Give Him ? (Two-part Women)

What Can I Give Him ?

What Can I Give Him ? A Christmas children’s song commissioned to benefit East Anglia Children’s Hospices around Norwich, England. Lindsay Carruthers commissioned long-time friend, Daniel Carter to compose a song for her youth choirs that could be used in support of the cause. A child’s perspective of having little to give at Christmas time turns to the realization that with love, there is much to give. Words by Aaron West. Easy and memorable to sing.

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Duration: Approx. 3:00

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What Child is This? (Violin, Native American Flute, Piano – Zabriskie)
arr. David A. Zabriskie

What Child is This? (Violin, Native American Flute, Piano – Zabriskie)

What Child is This? (Violin, Native American Flute, and Piano) – David A. Zabriskie, arranger

This arrangement of the traditional Christmas carol “What Child is This” was was composed and created for violinist, Jenny Oaks Baker and native american flutist, William Hoshal. Composed and orchestrated by David A. Zabriskie. This version is for Violin, Flute with piano accompaniment. For the full-score, please contact us at info@holysheetmusic.com.

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Duration: approx. 5:10

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What Wondrous Love is This
arr. Nathan Howe

What Wondrous Love is This

What Wondrous Love is This – Nathan Howe, arranger

Enjoy Nathan Howe’s new choral arrangement of the haunting American folk hymn What Wondrous Love is This. The reflective piano accompaniment features sweeping interludes between well-supported choral verses. Each verse is distinct, but they share many common elements to shorten rehearsal time.

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Duration: Approx. 5:30

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When I Have Seen His Face
Daniel Carter

When I Have Seen His Face

When I Have Seen His Face – Daniel Carter, composer

Based on the scripture in the book of Job, Daniel Carter provides a memorable, moving musical setting for “I know that my Redeemer lives,” including poetic paraphrasing of other scriptures from Psalms. Composed for female/male vocal duet, or two-part choral with piano accompaniment. Suitable for special occasions such as Easter, and general worship.

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Duration: Approx. 2:10

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When I Have Seen His Face (Vocal Solo – Carter)
Daniel Carter, composer

When I Have Seen His Face (Vocal Solo – Carter)

When I Have Seen His Face (Vocal Solo) – Daniel Carter, composer

Based on the scripture in the book of Job, Daniel Carter provides a memorable, moving musical setting for “I know that my Redeemer lives,” including poetic paraphrasing of other scriptures from Psalms. A memorable, singable melody combined with a flowing accompaniment make this selection suitable for special occasions such as Easter, and general worship.

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Duration: Approx. 2:15

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When I Survey the Wond’rous Cross
arr. Nathan Howe

When I Survey the Wond’rous Cross

When I survey the Wond’rous Cross – arr. Nathan Howe

When I Survey the Wond’rous Cross is a contemplative hymn celebrating the gift of the atonement. This choral arrangement features a beautiful counter-melody and a lush, supportive piano accompaniment. This piece is perfect for SATB choirs with limited rehearsal time.

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Duration: approx. 6:05

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When I Think of You
Daniel Carter

When I Think of You

When I Think of You – Daniel Carter, composer

Vocal solo for medium range voice and piano expressing gratitude for parents from a perspective of becoming one. Especially suitable for Mother’s and Father’s Day. Composer Daniel Carter wrote this song after a conversation with his daughter who said to him on his birthday, “I just want you to know I get it. I understand now what it means to be a parent, to worry, to love, to make everything in your life about your children. And I can’t thank you and love you enough for what you’ve done.”

When I was just a child you sat and read to me,
And told me I could do most anything,
Told me be anything that my heart could dream.
It made me smile.

And so I grew and learned, and as I claimed my life,
My stubborn will divided you and I,
And all those words we said were sometimes filled with strife,
And we would cry.

Sunny days could turn to rainy days
When I would storm around when I didn’t get my way.
Sunny days along with rainy days
Can give new meaning to our lives and reason for our ways.

The little notes you wrote that brought those happy smiles,
The pranks you pulled denying all the while,
The endless times that I thought I knew better than you,
How wrong I…

I understand now the sacrifice you made,
How hard it was to do all of the things you did.
I understand now how easy hurt is dealt,
How slow the healing till no more sting is felt.

And when I think of you, I think of sunny days,
The kind that come when rain has gone away,
The kind like when you kissed my tears away,
Those days I…

I understand now how blessed and loved I am.
Those little words we say,
So overused but they are true,
Those little words—I love you.

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Duration: approx. 3:40

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When Johnny / Keep the Home Fires Burning (SSAATTBB)
arr. David A. Zabriskie

When Johnny / Keep the Home Fires Burning (SSAATTBB)

A magnificent arrange of “When Johnny Comes Marching Home” and “Keep the Home Fires Burning” arranged for choir (SSAATTBB) and Orchestra by David A. Zabriskie

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Duration: Approx. 6:10

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When Saints Unite to Sing God’s Praise
arr. David A. Zabriskie

When Saints Unite to Sing God’s Praise

HolySheetMusic is proud to announce the first collaborative creation between Janice Kapp Perry and David Zabriskie. Janice sang in The Mormon Tabernacle Choir for five and a half years. As a parting gift for her many friends there, she composed “When Saints Unite to Sing God’s Praise.” Available now for the first time anywhere, David Zabriskie has created a moving and elegant arrangement of this hymn. For SATB Choir with Piano Accompaniment.

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Duration: Approx. 3:30

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